recordings

Beyond research, I work as a recording engineer and producer — primarily in immersive and spatial audio formats. This page collects productions I have authored, co-produced, or had a principal technical role in.

Released Recordings

Jakub Neske — Deus Ex Machina

Academic Choir of Gdańsk University of Technology · 2023

An immersive production of Jakub Neske’s choral work, with text by Bartholomew Begley. Recorded with a Zylia ZM-1 3rd-order Ambisonics microphone, with section microphones mixed as objects replicating their spatial positions. The mix was submitted to and received an Honorable Mention at S3DAPC 2023 (IEM Graz / VDT / ORF Musikprotokoll). Released in Dolby Atmos, Sony 360 Reality Audio, Auro-3D, 4th-order Ambisonics (HOAST player), and stereo.

The 360° video version uses energy visualisation driven by the MagicalTrailShader, with spatial audio energy from each choir section controlling the visual animation.

▶ YouTube (8K 360°) · ▶ HOAST player (4OA) · Streaming platforms

Mikołaj Sikała — PARTY for 4 hands

Studio recording, Gdańsk Tech · 2024

A premiere studio recording of composer-pianist Mikołaj Sikała’s work for four-hand piano, recorded at the Department of Multimedia Systems recording studio. Production, mixing, and mastering by Bartłomiej Mróz. Received 3rd prize at NTAV 2024 (Acoustic Recording category), XX Sympozjum Nowości w Technice Audio i Wideo, Wrocław. The composition project was supported by the Scholarship Programme of the Marshal of Pomeranian Voivodeship.

▶ YouTube · Streaming platforms

Emigrah — Widno EP (“Widniej”)

Live session recording · 2024

Audio production for the live session video promoting the debut EP Widniej by Emigrah — a Tricity world music ensemble combining Middle Eastern rhythms, jazz harmony, and prog-metal influences. The session features the full four-movement work Widno for voices, accordion, violin, and double bass. Audio by Bartłomiej Mróz; released May 2024.

▶ YouTube (live session) · Spotify

Competition Entries

I. Stravinsky — The Rite of Spring (arr. for four-hand piano)

NTAV 2022 · 1st prize, Acoustic Recording category

Live recording of Stravinsky’s Rite of Spring in a virtuosic four-hand piano arrangement.

▶ SoundCloud

Immersive AChPG Productions

A series of Higher-Order Ambisonics productions with the Academic Choir of Gdańsk Tech, exploring immersive formats from virtual choir experiments during the COVID-19 period through to concert recordings. All three productions are available in 4th-order Ambisonics on the IEM HOAST platform.

Jakub Neske — Deus Ex Machina (2023)

3rd-order Ambisonics capture + 7th-order Ambisonics mix with object-based section microphones. S3DAPC 2023 Honorable Mention. Released in Dolby Atmos, Sony 360RA, Auro-3D, and stereo. (See Released Recordings above.)

Siostra Julianija (Irina Denisowa) — Iże Chieruwimy (2021)

8-microphone setup: Zylia ZM-1 (3OA) as main, RODE NT-SF1 (1OA) as far-field room mic, plus section microphones. Section mics encoded as objects at 5th order using IEM StereoEncoder; reverb spatialized upward on the sphere via AllRADecoder + MultiEncoder to evoke the sacred, celestial character of the work. Recorded during the first choir rehearsal weekend after COVID-19 lockdown.

▶ YouTube (4K 360°) · ▶ HOAST (4OA)

Palestrina — Sicut Cervus — Wirtualna Katedra (2020)

Virtual choir placed in a 3D cathedral model rendered in Blender, with ambisonic audio designed using the IEM Plugin Suite. Choral sections arranged spatially around the listener to highlight Renaissance polyphony. A COVID-era experiment in fully virtual immersive choral production.

▶ YouTube (4K 360°) · ▶ HOAST (4OA)

Other COVID-era virtual choir productions

• O ziemio polska — joint production with 11 Polish technical university choirs (4K 360°, 2020)
• Koncert chóru w Twoim domu — live 360° stream from Aula PG (2020)
• You Raise Me Up — first AChPG virtual choir (2020)

Featured Mikołaj Sikała Recordings

An ongoing collaboration with Gdańsk-based pianist and composer Mikołaj Sikała, documenting live performances and studio sessions.

• Strauss/Grünfeld — Soirée de Vienne, Paraphrase on Fledermaus op. 56 (2024)
• Claude Debussy — Préludes Book 2: Bruyères · Ondine · Feux d’artifice · Canope · Général Lavine (2023–2024)
• Joe Hisaishi — One Summer’s Day · Ashitaka and San (2024)
• Percy Grainger — Bridal lullaby (2021)

Academic Choir of Gdańsk Tech — Concert Archive

Long-term audio documentation of the Academic Choir of Gdańsk University of Technology (AChPG), conducted by Prof. Mariusz Mróz.

Other Productions

Emigrah

• Widno live session — audio production (2024) · also on Spotify
• O przyjemności (live) — mastering (2024)

Polska Filharmonia Kameralna Sopot

• Giulio Caccini — Ave Maria — remote recording production, cond. Wojciech Rajski, soprano Anna Fabrello (2020)

Charity concert for Ukraine

• Koncert charytatywny dla Ukrainy — joint concert AChPG + AMuz Gdańsk + ASP Gdańsk, cond. Tatiana Lavryk & Mariusz Mróz (2022)

Sopot pier — 360° VR ambient recording

• Molo w Sopocie — wschód słońca — Insta360 Pro2 + Zylia ZM-1, first day of spring 2022 (8K 3D 360°)

Cello & piano — Polish music (Eufonium project)

Recordings of rarely performed Polish cello works, funded by the Pomeranian Voivode Scholarship. Błażej Goliński — cello, Dominika Glapiak — piano. Recorded at Aula PG (2020).

• Karol Skarżyński — Serenada op. 2 · Elegia op. 5 · Dumka
• Władysław Żeleński — Romance op. 40
• Michał Bergson — Mazurka op. 48 no. 2

Symphony orchestra concerts — Szkoła Muzyczna im. F. Chopina, Gdańsk

Recordings of youth orchestra concerts at Akademia Muzyczna im. S. Moniuszki, Gdańsk.

• March 2026 — Beethoven, Mozart, Arditi, Morera
• March 2024 — Beethoven, Elgar, Weber, Addinsell

Stefan Kisielewski — Danse vive — Mikołaj Sikała

• YouTube — live recording (2023)

Zylia tutorial — Converting ZM-1 Signal to Dolby Atmos

• YouTube — workflow tutorial for Zylia (2024)

Full YouTube Playlist

All productions are collected in a single playlist on YouTube:

▶ My Productions — full playlist